How to Make Money Blogging by Bob Lotich 3/5
How to Make Money Blogging by Bob Lotich 3/5
Today’s guest post comes from horror author, Phil Price. Phil has joined me today to discuss all things horror. Give yourselves five minutes with a cup of tea, and join us for some tried and tested tips on penning horror stories. Perhaps don’t turn off the lights…
Over to you, Phil.
Of all the various genres out there, horror is the one that excites me the most. As a reader, you want to be able to connect with the author’s story, hoping that the words conveyed spark your imagination. Other genres do this too. A good romance may bring a tear to your eye, or a fantasy yarn may ignite your imagination. However, horror is a genre that preys on your senses. To lie in bed at night, pulling the duvet up to your neck, checking the window for unseen ghouls, is not an easy feat. Plus, there are many types of horror out there. Serial killers, men in masks, vampires, demons, and ghosts, are but a few of the things that lurk in our imaginations as horror.
So, how do you write it? Tough question. I have written three horror books, centred on vampires. The market is flooded with these mysterious creatures at the moment, as it should be. Nothing should get the horror juices flowing like a good, old fashioned vampire. From Count Dracula, to Mr Barlow, for me, that is what horror is all about. Conveying that subject onto a page is the tricky part. Words on a page are just that, words. Turning the words into a scene that will draw the reader in, is no mean feat.
Many of my readers have given me different feedback. Some, said the stories terrified them. Others said they were not scary in the shocking, jump-out-of-your-seat scary sense. More of a creeping dread that settles over you whilst reading. I, like many horror authors, have taken their inspiration from the great Mr King. He has cornered the market on what scares you. Vampires, killer clowns, haunted hotels, apocalyptic worlds – King has done it all. And many of these stories have come from his own experiences. With this in mind, that is what I try to do, weave a tale from what scares me, what excites me, and what will make readers want to indulge themselves into my world.
Setting the scene is always the most important part. It’s very easy to type, “The killer came around the corner and his knife was big and menacing.” Great. There is a killer out there with a big knife, looking to harm us. Does it ignite your senses? Hell no! The environment needs to be just right to convey the fear that the reader yearns for.
So, if you said:
‘The corridor was a darkened funnel, littered with boxes and bodies. A fluorescent bulb, flickered sporadically, throwing shadows along the low-slung space. An over-powering stench coated Tim’s throat, thick and cloying, making him want to wretch. Making him want to run. A noise in the darkness raised gooseflesh on his arms, the hairs on the back of his neck prickling to attention as the noise came again. Far off, a low shuffle of heavy feet, drifted towards him, the edges of the corridor seeming to darken further. A silhouette appeared around the far corner, dark and brooding. As the light pulsed once more, it caught the edge of the object in the figures hand. Shimmering briefly as it ran along the serrated edges of the blood stained knife.’
Now, many readers might not find that scary. However, some may. It should pull the reader in further, almost placing them in the corridor with the next victim. And that’s what I would say to anyone about to start their own horror story. The person reading your book, needs to be in your book. When they are at work, or at the shops, they need to be thinking about the next chapter, hurrying back home to get the next slice of the pie.
I would also say, be brave, be creative. Don’t hold back at all. Think about what scared you as a kid and spill those emotions into your work. Others will identify with it. I hope this has been insightful. I hope above all, that you are reaching for your laptop, inspired to get cracking on the next big thing….
Phil Price was born in Sutton Coldfield in 1974. He lived in various places until his family settled in Rednal, Birmingham in 1979. Growing up with and older brother and sister he always flirted with reading as there were always books lying on shelves around the house. Then in 1997 he embarked on a travel expedition that took him from Greece to Thailand, via East and Southern Africa. Sitting in dusty bus stations in Kenya, Tanzania, and Malawi gave him the opportunity to ignite his imagination fully. Since those far-off days, he has never been without a book to read.
He toyed with the idea of writing a book in 2009. After writing a few short stories he caught a whiff of an idea in his head. It grew and grew in 2010 until he had enough to begin. Marriage and two children came along, with the story being moved to the back burner for periods of time. However, during those periods of writing inactivity, the story continued to evolve until it just needed to be written down.
The book was littered with places that had influenced Phil’s life. From the Lickey Hills in Birmingham, to the Amatola Mountains in South Africa with other locations, in-between and far beyond. The book was finished sometime in 2014 and was left on his computer, until a chance conversation with an author friend made Phil take the bold step to publish his story, Unknown. Unknown was re-published in 2017, as part of The Forsaken Series. The Turning is to follow on from Unknown, with a third book currently in post-production.
Where to find Phil and his books:
For use of content featured in this post, contact the author, Phil Price.
Today, I have the pleasure of welcoming the author of The Game Begins, Rebecca Howie, to Writerly Bookish Stuff. Rebecca is here to talk about the dreaded writer’s block and how to overcome it.
Over to you, Rebecca…
Overcoming Writer’s Block
Let’s be honest: being a writer isn’t easy. From bad reviews, nit-picking beta readers who make you feel like a wanna-be sham, and spending hours formatting your shiny new novel for Createspace only to have it rejected because of the margin sizes, it’s easy to see why some people decide to pack it up and keep on at their day job.
But before you reach the final stage, before you hit PUBLISH and send your book baby out into the world to fend for itself, you’ve got to write that first draft. And while you’re at it, you’re probably going to come across writer’s block.
I was lucky enough when writing my first novel to avoid it, but that was only because I didn’t actually know I was writing a novel until I was halfway through and thought ‘Screw it, I’m going to publish it’. But on my second visit into Sam’s world, it hit me, and for almost half a year, I couldn’t get anything written.
I knew I wanted to write a second book; I knew I wanted it to be a sequel to The Game Begins. And I knew that I wanted it to touch on the previous book’s events instead of pretending like nothing bad had happened. But could I write it?
(That answer is obvious if you make a visit to my blog and see my lack of writing updates, and that up until October, had the release date for my second book as ‘Coming Soon’.)
So, how do you overcome writer’s block? What possible solution can there be when you haven’t written a single word in almost a year?
Here are some of the things I try, and sometimes find helpful.
Accepting that you’re stuck isn’t actually the be-all and end-all of your WIP. Taking a break, even for just a few hours, might be all you need to get focussed on your story and the scene that’s trying to derail you.
Keeping a note of the ideas that come to you at three in the morning is a great idea for finding inspiration, and if you already have a few notebooks filled with your sleep-deprived ramblings, now might be a good time to take a look.
Who knows? Maybe the next NYT bestseller is in there somewhere.
This might be the only time procrastinating isn’t a bad idea, but reading someone else’s book is a great way of getting your creative juices flowing. It can help you with pacing your novel, character development, and even when to end a chapter (which I struggled with a bit at the start of this new book).
Watching TV, on the other hand, is another great way to get ideas for your story. And when I was writing a particularly tricky scene in A Woman Scorned, I turned to ABC’s Castle for help with portraying the symptoms of PTSD, because I knew that one of its characters had gone through something similar to my own.
I know the last thing you want to hear is ‘rewrite’, but taking a second run at the WIP that’s trying to psyche you out might just be the thing you need to work out the plot hole that’s been bugging you, or changing the tone or pace or point-of-view to turn the story into the one you’ve actually been wanting to write from the beginning.
If all else fails, stop. Don’t justify forcing yourself to write, or making yourself sick with the stress of it. I lost count of how many false starts I made while trying to write AWS, and although I have a folder filled with character notes and defunct plot points, I’m happier with the characters now than I was when I started all those earlier attempts, so moving on to a different plot or story might just be the thing which gets you back on track.
Rebecca Howie is a procrastinating writer from Scotland, who prefers spending her time in fictional worlds rather than the real one.
She self-published her first novel, The Game Begins, at 18, and it reached 2nd in the Teen and Young Adult Detective category on Amazon after its release in February 2016.
Where to find Rebecca Howie and her book:
For use of the content in this post, permission must be sought from the author, Rebecca Howie.
Guess who’s back on Writerly Bookish Stuff? Brianna West. Brianna previously guest posted back in March on Character Development. She is back today to chat about the importance of a book cover.
Over to you, Brianna…
Love at First Cover
Someone once told you not to judge a book by its cover. Then again, someone also told you never to swim forty-five minutes after eating, and we’ve all broken that rule, am I right? Okay, so not the same thing, but my point is this—how much does a cover impact your readership?
Well, that depends. Like us authors who prioritize certain aspects of our writing, our readers also prioritize certain aspects to their reading. And, as much as we might maintain we’re ‘not all about that life’ when it comes to martyring ourselves (and our bank account) in order to appease the masses, in the end, we all want our work to be read.
So, does that start with a good cover? In my opinion, which is always right and never wrong (or so my husband maintains), yes. Especially if you write romance.
So, here’s why:
Like any blind date, you only have so many things to judge whether or not the person—aka, book—you’re about to spend the next few hours with is either going to humor you, bore you, confuse you, or murder you.
And like the judgmental person you are, you’re going to decide whether or not you’re going to bother sitting down (or come out from around the corner you’re hiding) based on what you see first.
There are more versions of covers, but I feel like these are the main ones I see, at least in romance. Paired with an incredible blurb and perhaps a few choice teasers, you can ensnare a reader with very little effort. But, like with everything, not every author is made the same. Not every reader is going to weigh heavily on the cover alone. It requires many elements sometimes to intrigue a reader to taking a gander. But it’s my belief that the cover is one of the first impressions you have to ensnare them.
Find Brianna and her books here:
Permission to use content featured in this post must be sought from Brianna West.
Hawaiian Heartbreak by Libby Cole 3.5/5
When do you admit a holiday fling is so much more?
Kayla’s always been scared to push her boundaries and take a risk. But it turns out all she needed was a scumbag ex-boyfriend to send her running to Hawaii, hoping to pull the shattered pieces of her heart back together while sunning herself on a white sand beach.
What she hadn’t planned on was falling for someone new. Especially someone tall, tanned, and distractingly sexy. Soon sparks and puns are flying, and Kayla is introduced to a whole new way of appreciating Hawaii’s beautiful scenery. But what starts out as a fun holiday romance turns into a full-blown love affair, with neither wanting to admit the clock is ticking until Kayla has to return home.
Kayla holidays solo to fulfil her ambition of embracing life after her break up with her long term boyfriend. Little did she know she’d fall into the arms of a handsome tour guide.
This is my type of romance read: blossoming romance, steamy scenes, and characters to root for. Both Kayla and Jay are relatable, and as the fling turns into something more, you can’t shake that pang in your chest for the moment the holiday is over. I was a little apprehensive to reach the conclusion. Will it end when Kayla has to go home?
My only niggle was the abrupt ending and lack of conclusion. I’m all for cliffhangers, but this felt like neither cliffhanger nor a conclusion of some sort. It just left the reader in the middle of an unresolved row. Readers have to read the next in the series to get a conclusion for book one.
If you like swept off your feet, holiday romances, and don’t mind explicit sex scenes, then I highly recommend this novella.
The opinions expressed here are those of K.J.Chapman and no other parties
All books reviewed on this blog have been read by K.J.Chapman
K.J.Chapman has not been paid for this review
Guess who’s back on my blog today? Yep, fantasy author, Sarina Langer. Sarina has taken time out of her busy release week for her new book, Wardens of Archos, to guest post on Writerly Bookish Stuff.
Sarina is a bullet journal (BuJo) advocate, and is here today to explain what a bullet journal is, why she benefits from using one, and how you can get started on your own. I’m all ears for this post. Over to you, Sarina!
Chances are you’ve at least heard of the bullet journal, even if you’re not sure what it is, exactly. It’s grown in popularity over the last few years, and sites like Instagram and Pinterest are full of beautiful examples. The bullet journal is a way of organising anything you want, in a way that suits you. I recommend you check out the original website, too.
What I love the most about my bullet journal is the flexibility, the creativity, and the ability to plan and organise everything the way I want. You can imagine it like a planner that does exactly what you need, without limitations. When you buy a basic planner or a diary, you have a page for each day or a two-page spread for each week, but sometimes you just want something… more.
If a week is going to be quiet, you can use as little space for it as you think is necessary. If you know one week is going to be busy and one page won’t do, you can spread it out over as many pages as you need.
But there is one downside, and it’s why many people eventually give up on it. Your bullet journal takes time. Why draw a spread for every month when a regular planner already comes with twelve? Why set aside time every Monday morning to write down every day that week and date it, when any planner you can buy already has that? I get your apprehension. There are days when I’m not sure I can be bothered, and it’s on those days that I look to more basic spreads. I’m not artistically creative. If you told me right now to draw a hedgehog, I’d need a reference picture and it still wouldn’t be pretty. I’ve seen some incredibly beautiful bullet journals on Pinterest (my board right here is full of them!), and I assure you mine looks nothing like that.
Our days are busy, sometimes chaotic, and time is precious. I understand not wanting to waste a lot of time on something you can buy with no effort in most shops for little money, and if that’s what you want to do, go for it! But I hope I can show you today that your Bullet Journal doesn’t need to take a lot of time and still look pretty(ish).
These are my basics:
Your key is usually found at the front (if you want to make it harder on yourself and stick it on page 97, go for it – as I said, you can do anything you want in this thing), and it’s a short, easy summary of how you’ll use your bullet journal.
The basics are your code – the signage you use for completed tasks, started-but-unfinished tasks, priorities, and so on. You can include anything you like in this, such as appointments, important meetings, or research you want to do; your bullet journal is flexible!
I recommend just sticking to the basics if you’re starting your first journal, and leave a bit of room in your key to add to it as you go. Your preferences will likely change as you go, and you can adjust, add, and cut as you need to.
My own preferences have changed quite a bit in my current bullet journal (BuJo #2), so I’ve included an updated version of the key partway through it. I’ve also marked the page with washi tape so I can find it again easily should I need to.
Don’t you just love it when a new year starts, and you have all the options? What will you do that year? Which goals will you set? What are your priorities going to be?
I love planning, friends, and your yearly spread is a good place to do that on a large scale.
For 2017, I did something a little more ‘extravagant’ than I usually do. (writing out all those numbers took time, you know!) I have plenty of space for monthly goals and appointments, which I love. What I don’t have is a page dedicated to my goals this year, so when the time comes to create next year’s spread, I’ll include space for that. I do have two double spreads with goals (colour-coded and categorised, naturally) and ideas on how to achieve them, but really I just want a list where I can tick of goals as I hit them.
So, 2018’s calendar is going to be more basic with a year-long list of goals.
I tried so many different designs for this before I found one that works for me. My monthly calendar is on one side, and my to-do list for each month is on the other. That way I can pencil in important meetings and release dates and things like that, and have everything I want to achieve on the same spread. I’ve experimented with various levels of intricacy and detail, but in the end this minimalistic spread works best. It saves me time, and it has everything I need at one glance.
I’ve tried even more layouts here – my bullet journal is a mess of failed spreads, and that’s mostly the weekly spread’s fault. I’ve tried everything from having all the info on one, crammed page (which didn’t leave me anywhere near enough space) to having a double spread, to using four full pages for my weekly goals. Minimalism won again.
While layouts with individually drawn boxes and leafs and clouds and little kittens look great, I don’t have the time to draw all that (and, as we’ve already established, I don’t have the skills, either). A bit of washi tape (which I’m addicted to, by the way) and a basic layout is all I need.
This was one of the first things I added. My first list was just that, a list, but my second attempt is a little prettier. Every book I buy (books I don’t own yet don’t make it onto this spread) goes on here, and every book I’ve read I colour in.
My tbr is a mess and I’m sure you’re quite aware yourself that it can feel overwhelming, but thanks to this spread I have a good idea of how many books I actually have. Outside the bullet journal, my tbr exists in two places: my actual shelf, and my kindle where the books are in no useful order whatsoever. If it wasn’t for this spread I’d have no idea how many unread books I currently own.
This is becoming even more relevant to me now that I’ve started building my freelance writing business. Previously, I’ve used my bullet journal to plan future blog post ideas, make a note of whether I’d written the first draft, whether they were ready and scheduled, which day they’d publish, and so forth. But now I’m also using it to keep track of all my freelance writing jobs and opportunities (like this one!) by writing down who the post is for, what my word count limit is, and when my deadline is.
This way I can see at one glance what I’m doing for whom and when they want it by. Yay for organisation!
Here are some more ideas of what you can do:
List of films you want to watch
Places you want to visit
A list of home improvements
Gift ideas for your loved ones
Blog post planner
Social Media Exposure Tracker
Full disclosure: I actually use some of these myself but they’re not in any state to be shown off anywhere! As I said, I’m artistically challenged.
There are so many things you can try and adjust that my main advice is to start small, with the basics, and add to it as you learn what you need from your bullet journal. If you want to be creative and intricate, go ahead, and if you want to keep it simple, like I do, go ahead with that, too. You can try a bit of both, if you like! That’s the beauty of your bullet journal – it’s yours, in every way.
And if you realise fifty pages in that you no longer want to use a specific spread, or try a different layout, good news: you can!
Happy journaling and organising, people!
Sarina is the author of the Relics of Ar’Zac trilogy. The first book in the series, Rise of the Sparrows, was released in late May 2016. She’s currently working on the sequel and a new fantasy duology.
She’s obsessed with books and all things stationery, has a proud collection of over twenty notebooks, and squees every time she buys a new notebook, pens (hmmm, fountain pens ❤ ) or highlighters.
In her free time she reads fantasy and sci-fi novels, plays video games, and researches human sacrifice traditions and the end of the universe.
Where to find Sarina & her books:
For use of content in this post, permission must be sought from the author, Sarina Langer.
I am joined today by the talented author, Katie Masters. Katie is here to offer some tips on creating well rounded antagonists, because us writers and readers know there is nothing worse than a flat, two-dimensional antagonist to see a story fall on its face.
So, give yourself a five minute break and settle down with a mug of something hot. Over to you, Katie.
(who doesn’t wear leather or own a death-ray)
Hello fellow writers! When K.J. asked if I wanted to write about creating a well-rounded antagonist (that’s a fancy-shmancy snoody writer term for a Bad Guy/Villain if you didn’t know. PROtagonist is the main character), I obviously said yes. Because if there’s one thing I love more than ignoring the sensible advice I get, it’s giving it! So strap yourselves in, set your phasers to snark and grab a drink, because today you’re all learning how to make GOOD bad guys!
When a writer—but let’s just say ‘you’, because we all know this’s about you—decides to create a story we’re given 3 options for an antagonist, that horrible thing that is stopping your hero/heroine from achieving glory, love, or an awesome dinner.
–Inner demons (aka you’re your own worst enemy)
–External forces (aka that damn mountain’s keep you from getting to your beloved cheeseburger)
–Actual Person (aka your leather wearing, death ray carrying, changed his named to Butch or Xeno bad guy. Consequently, could also be that bitch Veronica in the office who just took the last donut)
Today we’re going to focus on an Actual Person, because honestly, trying to tell you about the challenge and intricacies of an evil mountain’s thought processes would take eons. And we don’t have the attention span for that right now.
I hate to be the bearer of bad news, but our readers have become more savvy. They want meat, they want blood, the want *gasp* depth. Gone is the mad scientist with a death ray who wants to take over the world for no reason other than ‘because’ who monologues about his master plan for ten minutes. Readers want to know the how and why of the bad guy. They want to understand. Which means you the writer have to know the reasons.
I know. That means more effort and the using of brain cells. I’m sorry. Keep drinking.
Creating a well-rounded antagonist requires, first and foremost, a background story. None of the backstory may come out in the book. Perhaps only a fraction of it will. But if your book becomes a best seller and you go to a Con to face your adoring fans who then want to know what your bad guy’s home life was like—you better know!
Your bad guy (whether a mild one or a truly evil one) needs motive, and for a motive, they need a past. His/Her family life, friendships, social status, and even hometown, all drastically shape the perceptions they have about the world, and themselves. And you need to know all of it.
What I consider a ‘well-rounded human antagonist’ is one in which we can understand why they came to be what they are, but still perceive them as ‘the bad guy.’ Said ‘bad guy’ doesn’t have to want to take over the world or murder someone or take a love interest away. An antagonist is ANYONE who stands in the way of, or thwarts, your main character’s goal.
FOR EXAMPLE: Meet Cindy.
Cindy is in accounting with our protagonist, Betty-Lou (that’s right, I named her Betty-Lou. Deal with it). Betty-Lou and Cindy get along just fine. Until one day an announcement goes up that a new manager position has come up and both Betty-Lou and Cindy are both qualified to apply.
Cindy, who was once just a fellow co-worker is now doing underhanded things to get that job. Mean, antagonist things. Spreading horrible rumors, putting salt in Betty-Lou’s coffee cup, misplacing documents Betty-Lou has to turn in, taking unflattering pictures of Betty-Lou at the company party so Trisha doesn’t ask her on a date…you get the picture.
‘What a bitch!’ you think. Betty-Lou thinks so too. Except what you both don’t know is that Cindy needs the promotion so that she can pay for a medical treatment for her son. She will do ANYTHING to get that promotion and money. So is she really a bad guy? Sure. She’s going about this the wrong way and ruining your wonderful protagonist’s life and love chances! But you sympathize. You don’t like what she’s doing, but you at least understand why.
I think in this day and age of writing, understanding the bad guy is ultimately human (or Klingon, or whatever), and that there are infinite shades of gray in the definition of ‘bad guy’, is important. You don’t have to make them likable, but you have to make them and their reasons understandable. So here’s some tips on how to do that. And no, I didn’t put them in order of importance because I’m fair like that!
1. Write a summary of the Antagonist’s past. Where did they live? Do they have siblings? One parent or two? A suburb or the city? Vegetarian or om-nom-nomnivore?
2. Write their likes and dislikes. It doesn’t have to be an extensive list. But try and get in their head. Do they like movies or concerts? Do they watch YouTube? Do they like the color pink and wear the color on their person every day?
3. Write a scene in your antagonist’s point of view. It doesn’t have to make it into the book. It’s not as hard as you think. The thing that makes writers so unique is our ability to generally be sympathetic because we naturally (in general) tend to put ourselves in other people’s shoes and see their point of view. Do the same for your antagonist.
4. Use pictures and make them a profile. Now, this advice comes back from my time as a former artist, but I find I do this when I’m creating characters too. Find a picture on the internet that looks like how you imagine your antagonist then write below (or next to) it, their likes/dislikes, their height and weight, and then their ‘bio’. That’s where you put the summary I told you to writer up there in tip one. See how helpful I am!? Less work to do down here!
Well you’ve made it! Congratulations! I’m sure you’ve refilled your cups half a dozen times at this point, and you’re a real trooper for making it this far! At the end of the day, your antagonist is as important as your main character—sometimes more so, because they have a very important role: to make your character change. So make sure that your antagonist gets the same amount of treatment at your main characters.
Katie Masters’ books include Brenna Morgan and the Iron Key, and The Bone Dancer.
I’ve been making up stories since I could talk, writing them since I learned how to properly put words together, and when I’m not doing that, I’m reading obscene amounts of books, manga, and comics. Sorta in that order.
Where to find Katie and her books:
Permission to use the content featured in this post must be sought from the author, Katie Masters.
Good day to you all. I have the pleasure of hosting another wonderful author on Writerly Bookish Stuff today. Faith Rivens is here to discuss that annoying thing all us writers face from time to time: procrastination. Fancy some tips on getting out of the slump and beating procrastination? Get your notepad ready and stay tuned. Over to you, Faith.
I’m excited to be able to share some thoughts with you on a problem that I’ve struggled with a lot in the past. I’m focusing on it from a writer’s perspective even though this challenge is a universal one.
Procrastination. That inclination to postpone the inevitable tasks that cause us undue stress. Is there anyone on this planet who hasn’t delayed action of some kind for any reason?
There was a time when I did pride myself on quick response and action. In the early years of my student days, I was glad to get my work done as quickly as possible. It was a work ethic that didn’t last. But it never affected my own writing life. My stories were what I used to procrastinate my school work.
And then came what I call the ‘Dark Period’ in my life, a time in my early twenties when I was struggling with what I wanted to make of myself, who I wanted to be, even my weight. It was a time when I wanted to devote myself to writing entirely and I would argue that I could make a living doing it. But when I was alone in my room, I didn’t work on stories. I just binge watched shows and read a lot and watched the time fly by.
Looking back now, I can honestly say that I wasted a good year and a half of my life going through the motions. And yes, that experience was extreme, toeing the line between procrastination and depression, but I learned quite a few lessons from that dark period about how to deal with the urge to delay, and I’ll share them with you now.
Breaking down the problem is always helpful. And I believe there are, at least, three major (pardon the scientific term) variables to take into consideration:
Let’s break those down!
Identifying the reason behind the urge to procrastinate is essential. When I get the antsy feeling to prolong the plunge, it’s my second step after admitting to myself that I am procrastinating.
During my dark period, I hit a roadblock with my writing because I felt the pressure of wanting to prove that it could be a full time job for me. It removed the joy I felt when writing and made me more inclined to look for other things to do so I wouldn’t have to deal with that stress.
On a smaller scale, the reason for procrastination can be much simpler. Maybe the storyline isn’t clicking with you, you’re bored of the scene you’re writing, or you’re tired of staring at your screen.
Knowing how you like to procrastinate seems especially paramount, considering that we live in a digital age. From streaming videos, to stalking twitter, to retail therapy, to browsing GoodReads to add one more book to your already mountainous TBR, to looking for the perfect pins for your novel aesthetic. I’m sure most of us rely on our computers or devices to distract us from the task at hand. And we should never underestimate the lure of a good book, either.
When I was going through my dark period, I was watching shows on the side and reading FanFiction.
I feel the need to bring up external factors that influence us because I think too many times we neglect how the people and circumstances around us can affect our mindset. I have mentioned in the recent months that I’m struggling with a family issue at home and the challenge of that makes it difficult to focus on the work I have to do and inclines me to procrastinate my writing because my mental energy is drained.
Once you understand why and how you procrastinate, finding a way to stay inspired becomes easier. Like most vices in our life, there’s no foolproof cure, but there are definitely steps that can be taken to make the challenge less daunting.
If you’re avoiding writing the next chapter or scene because you’re afraid of tackling the material, why not try drafting or outlining it first if you’re not ready to take the plunge, or write another scene to inspire you. If you’re tired of looking at your screen, try writing by hand, or schedule yourself day by day according to a manageable timetable that will make sure you don’t run into boredom.
If you know that you’re someone who procrastinates most online, find a way to switch off the internet so it can’t distract you from your task, or go somewhere different and write by hand. Or set yourself a reward system. If you write a certain amount of words give yourself a certain amount of time to connect online and then jump back into the writing.
When you’re struggling with life outside, it can be a bit more tricky to find the impulse to work and, in fact, you might find yourself slipping into a writing rut more than a cycle of delay. In those instances, when finding the will to write might be more difficult, look back and remember why writing brings you joy and look for times in the day when you might be more productive. Or set smaller goals for yourself every day. Don’t stop writing, just stop putting too much pressure on yourself to accomplish word counts that exceed your ability.
At the end of the day, friends, writing should be something you do because you love it. If it doesn’t excite you, find ways to rejuvenate and refresh, put the writing aside until you find that joy again. When you do, it’ll be easier to resist the urge to procrastinate.
May inspiration flow like ink upon your quill, dear friends!
I am thrilled to welcome author Dana Fraedrich to Writerly Bookish Stuff to discuss a topic that is a crucial part of any writing process: world building. Grab yourself a coffee or tea and stick around for some handy advice and tips on creating an imaginative and believable world. Over to you, Dana.
World building, in my opinion, is one of the most fascinating things about fiction writing, but it’s also one of the trickiest. Coming up with a basic concept is easy—a world where cybernetic enhancements are the newest fashion trend…until a major fashion designer ends up dead by her own creations. Boom! Done. When you get into the nitty-gritty details, however, things can get…squiffy.
In my experience, a lot of world building falls down because the authors haven’t worked through some of the foundational details. “But, Dana, I’m not trying to write a Tolkien-level world history here! I just want to write a story!” Yeah, I know, and that’s fine. You don’t have to get that deep, but you do need a few basic elements hammered out before you introduce your world to ours.
Nail Down the Fundamentals
Whether it takes place in a fictional universe or an alternate version of ours, to create a convincing world, you have to understand the basic functions of your characters’ society:
Why do we care about this? Two reasons. First, every decision you make as god of this realm influences the possibilities within it. Secondly, if you don’t know these things, it’ll show. At best, the reader will feel a little lost. At worst, you’ll write a huge inconsistency into your story. Now, in most cases you won’t have to do more than mention these things in passing, if that. However, if you do end up having to explain why a character refuses scan the barcode on her wrist whilst on the run from baddies, you’ll be prepared.
Crime and Punishment
What do readers want? Stakes. The higher the better. And conflict comes from characters breaking the rules. So what will happen if your main character gets caught during the big heist or meeting with that shady so-and-so? That’s what you need to make crystal clear to your readers. Otherwise, they won’t fret over the fate of your characters. Maybe a school headmaster with a grudge has the power to expel students. Maybe it’s a good high court with bad evidence before a public execution. No matter the situation, you need to know who’s in power, how they wield it, and what your character stands to lose.
Use the Land
You can’t paint a picture without envisioning the world first. However, some authors bog down their readers with florid depictions of rolling hills and planetary panoramas. Descriptions of setting should create atmosphere and further the plot. Grand vistas and poetic descriptions create calm. Getting over a literal mountain creates a big challenge for your traveling band of actors. Does your severely agoraphobic character have to navigate ten NYC blocks? Okay, use pieces of that environment to show how it affects him. The towering buildings on either side loom, the people waiting to cross the street press, the reek of garbage bags in the summer heat suffocates. If the setting doesn’t serve one of these purposes, you can go pretty light with the details. Do keep your readers informed, though. At the very least, they need to know where the action is taking place.
Magic Requires Rules
Magic is like physics. You can’t see it, but the world operates within its laws. If you create a world with magic in it, you must know magic’s limits, its rules, and its impact on casters. And you must be consistent! I cannot stress this enough: magic is not a deus ex machina that comes in and fixes everything…magically. This steals your hero’s accomplishment. If you want to break an established rule, write in a precedent for it.
*Super advanced technology falls under this category too because, at a certain point, technology begins to resemble magic.
Don’t Take It Too Far
Like anything in life, moderation is key. There’s a fine line between immersion and tedium. As a busy author, you can’t spend all your time figuring out your world’s every minute detail. If a process or element in your fictional universe matches reality, you probably don’t need to explain it (save for the really esoteric stuff). For anything that doesn’t match, you’ll need to make a judgment call. Your editor and beta readers can tell you what needs more or less explanation, but the choice is yours in the end. Too many details can catch you out in an inconsistency later, so I tend to err on the side of fewer details. After all, your audience has imaginations of their own. And remember, seeing something work is always more interesting than being told.
A final note: don’t sweat the small stuff. Every great story has holes in it. Take the Harry Potter series. It’s one of the most beloved universes of all time, but where were cell phones, guns, and the Internet? Muggleborns must have known about those things. Granted, magical elements were part of what made those books so enchanting, but it’s true. And those issues didn’t stop J.K. Rowling from selling a bazillion copies. Happy writing!
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Permission for use of the content featured in this post must be sought from the author, Dana Fraedrich.
Here is another of my Instagram picture prompts for you to get creative with. I invite you to have a go at writing a sentence/paragraph/short story to accompany the picture. Remember to link your post back to me, so I can read your creations and spotlight them in the next picture prompt post.
You can find me on Instagram by following this link.
I wasn’t foolish enough to expect Titan Mount to be deserted. The Hivers are scared of water. Something in their web of minds registers fear of the wet stuff. If the survivors were to stand any chance, it was to hole up on islands. That’s exactly why the mount was heavily populated by the time I arrived.
The problem I didn’t foresee was low tide. The sea recedes, leaving the mount exposed for hours a day. The security procedures are long and extensive. For six hours, twice a day, we have to defend and protect our little, safe slice of the world from the creatures hellbent on eating us. The bodies litter the wet sand, and then the sea returns and washes them away. We sleep, eat, and repeat.
Twelve hours a day – every day – for the rest of my life. No thanks. I’ve been gathering a group of us to head further out to sea. There is an island – Seafarer’s Bay – about one hundred miles southwest of here. The last anyone heard, they were over-run when the last aid plane landed. If we can keep hundreds of the creatures at bay day in, day out, we can exterminate an island of seven hundred people… Hivers.
Content belongs to K.J.Chapman